Cinematic Decadence
2022, December 5 – University College London, United Kingdom.
"Decolonizing Film History: Ukrainian Contexts for the Decadent Cinema of the Russian Empire".

Decolonizing Film History: Ukrainian Contexts for the Decadent Cinema of the Russian Empire | UCL School of Slavonic and East European Studies (SSEES) - UCL – University College London

Forthcoming:
Kyrylova, O. The Lie after Volodymyr Vynnychenko and Other Films by Vyacheslav Vyskovsky: Ukrainian Cinematic Decadence Within the Contexts of Russian empire. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. London. 2022. Vol. 15.

Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe (apparatusjournal.net)

2019, June 26 – Birkbeck School of Arts, University of London, United Kingdom. International symposium in Decadence Studies and Medical Humanities “La Maladie Fin de Siècle: Decadence and Disease”.
Keynote Presentation: ‘Decadence as Disease in Early Russian and Ukrainian Silents: Satan Married Them (1917) by Vyacheslav Vyskovsky and The Happiness of Eternal Night (1915) by Yevgeni Bauer’.

2016, July 8-9 – Birkbeck School of Arts, University of London, United Kingdom.
International symposium “Forgotten Geographies in the Fin de Sсiècle, 1880-1920”.
Keynote Presentation: ‘The Lie: the film by Vyacheslav Vyskovsky (1918), the play by Volodymyr Vynnychenko (1910) in the split of Forgotten Geographies’.

Forgotten Geographies in the Fin de Siècle (wordpress.com)
BAVS Newsletter 2017: bavs_newsletter_16.320161130.pdf
Volodymyr Vynnychenko and the Early Ukrainian Decadent Film (1917–1918). [Article]. NaUKMA Research Papers. History and Theory of Culture 191:52-55 (2017)

Cinematic Decadence Approached by Death Studies and Culturology. A Monograph. Kyiv, 2017. 280 pages.

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